Wednesday, February 24, 2016

The Sheltering Sound: Paul Bowles's Attempt to Save Moroccan Music - The New Yorker


The New Yorker

The Sheltering Sound: Paul Bowles's Attempt to Save Moroccan Music
The New Yorker
I sometimes think Bowles was attracted to the wildness and density of Tangier as a kind of psychic penance for what the critic Edmund White once called his “dandified distance.” He was, by all accounts, a bit of an emotional recluse. Allen Ginsberg ...

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