The New Yorker |
We All Scream
The New Yorker The Expressionists adopted the look of his style, which serviced their drive to counter French formalism by stressing the psychic toll and the compensatory exhilarations of the modernizing world. But Munch's sincerity was bound to elude them. “If only ... |
Monday, February 22, 2016
We All Scream - The New Yorker
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